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AUDITIONS: Snow White and the Prince

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Snow White prepares for her birthday ball and dreams of finding her prince charming. When the star-crossed couple meets it’s love at first sight, but the vain and evil Queen will stop at nothing to be the fairest of the land. This romantic and funny adventure has all the beloved characters and a few more to make this a clever re-telling of a classic tale.

Book, Music and Lyrics by Janet Yates Vogt and Mark Friedman

A Musical Adaptation from Theatrical Rights Worldwide

Director: Kristie Mattsson

Choreographer: Jess Cashin

Music Director: Rachel Lamell​ 

All Actors must be FULLY VACINATED for COVID 19, receiving the fall BOOSTER.

Or provide a doctor’s certification of a vaccination waiver.

Covid Policy

AUDITIONS

Auditions will be held on:

Sunday, January 11 from 1:00-3:30pm

Tuesday, January 13 from 3:45-6:30pm 

No appointment needed. Actors only need to attend one day of auditions.

 

Sign Up Required for a time slot to help us manage the auditions.

 SIGN UP HERE

 

Callbacks will be held on: 

Thursday, January 15 from 3:45 to 7:00pm 


**You will be notified via email in advance if you will be needed for

callbacks and given a schedule. Actors will likely only need to attend one day of callbacks.

All auditions, and any necessary callbacks, will be held at the 

Morgan-Wixson Theatre.

2627 Pico Boulevard, Santa Monica, CA 

 

Street parking available.

Venice Family Clinic’s parking lot is available on weekends and on weekdays after 6 p.m. Do not park at our neighbors AAMCO/Viking Motors or SGI or you will be towed.

PREPARE

Prepare 32 bars (a verse and chorus) of any song in the standard musical theatre style and BRING accompaniment on an iPhone, iPad or the Android equivalents. Please do NOT sing pop songs.

Do not sing without a track so we know you can sing with music.

Be prepared to dance with comfortable clothes and dance shoes or sneakers.

PEFORMANCE DATES

Weekends: March 14 through March 29, 2026; Saturdays and Sundays at 11:00 am 

PLUS a double performance day on March 21 @2:00pm.

PLUS School Shows: Friday, March 20 and Wednesday, March 25 @9:15am and 11:15am

 

School shows will require actors to miss their morning classes, but some schools give community service credit. Please note that actors MUST be available for all performances, including all school shows.

This is non-negotiable!

REHEARSALS

Rehearsals will begin on Saturday, 1/24 or Sunday, 1/25 with a readthrough and parent/cast meeting. All other rehearsals will be held during the time frames of Monday through Fridays from 4:00 to 6:30pm as well as Saturday midmorning or afternoons and Sunday midmorning/afternoon/or evening depending on theatre availability. A calendar with more specific time slots will be available at the audition.

 

Actors are not called for all rehearsals, only ones where they are being used for a scene/music/dance. Typically, large cast rehearsals are held on weekends. We will try to limit most actors to 4-5 rehearsals a week until we reach the last few weeks. Actor availability will factor into casting and role decisions. We will work around youth workshop commitments. 

BRING

  • Accompaniment music on an iPhone, iPad or the Android equivalents. Do not sing without music accompaniment.

  • A printed copy of your vaccination card with updated booster listed.

  • A picture (school picture or snapshot is fine) *even if you have done shows with us before, we need a new one

  • Resume or list of shows done.

  • Your conflicts for the rehearsal period. All conflicts MUST be submitted prior to callbacks using the calendar provided on the audition form.

CONFLICTS
  • At the audition, all actors must fill out a calendar form with all potential conflicts.

  • PRIOR to auditioning, make sure to check with your school choir/band/theatre director, your sports coach, any pending field trips, or any other adult who schedules your time.

  • Weekends are KEY TIMES for rehearsals – more than 3 weekend day conflicts may result in an actor not being cast.

  • NO conflicts will be accepted after casting. If they do arise it may result in an actor being replaced.

CHARACTER DESCRIPTIONS

In reference to the character descriptions that follow, our casting seeks to be as inclusive as possible. We will list race/ethnicity/gender/ability when specific to the character but otherwise encourage actors of any ethnicity, identity and ability to audition for any role. We also encourage gender non-conforming, genderfluid, transgender and non-binary actors to submit for the roles they most identify with.
 
 We are actively committed to casting an inclusive show that reflects the community.


Note: Ages eligible to audition for this cast are:  8-18 years

*18 year olds must be enrolled in high school

SNOW WHITE

Vocal range: Mezzo Soprano 

A beautiful princess – the target of the Evil Queen’s envy.

 

PRINCE PHILPPE

Vocal range: Tenor

A dashing, charming Prince – a bit of a romantic – who falls for Snow White

at first sight.

 

EVIL QUEEN

Vocal range: Alto/Mezzo Soprano

Evil through and through - totally caught up in vanity – can’t stop asking the Mirror for compliments.

 

MAGIC MIRROR

Vocal range: could be Baritone or Mezzo Soprano

The Evil Queen’s full-length “vanity” mirror who talks and walks. Hates

being with the Queen and constantly answering questions about the queen’s

beauty. Sarcastic and pushes the Queen to the edge, hoping to someday

be in better company.

 

SNOW WHITE’S NURSEMAID

Vocal range: Alto/Mezzo Soprano

Kindly, loves Snow White and will do anything to keep Snow safe.

 

RUPERT / ENSEMBLE

Vocal range: Open

The Prince’s witty and faithful butler, valet, and friend.

 

THE SEVEN DWARVES / ENSEMBLE

Vocal range: Open: experience with harmonies is helpful

They are comical – they speak in rhymes – they come in various sizes and

shapes and they may double other roles in ensemble.

 

ENSEMBLE

Vocal range: Open

To play Guards, Royal Secretary, House Hands, Party Guests.

Non-Equity, there is no pay.
Questions? Contact 
Eve Keller at eve.keller@morgan-wixson.org.

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