The Morgan-Wixson Theatre presents

Seven Plays. Five Weeks.
September 24 - October 23, 2021
Producer/New Works Committee Chair:
Mirai Booth-Ong
Producer: Jonathon Saia
Dramaturg: Melanie Anthony
Technical Director: William Wilday
Production Stage Manager: Ashley DeFrancesco
Lighting Design: William Wilday
Director Of Marketing: Niko Montelibano
Social Media Marketing Team: Melanie Anthony, Erika Mireya Cruz
Program: Niko Montelibano
New Works Committee Readers:
Jonathon Saia
Marcia Pryor
William Wilday
Annalisa Erickson
Avalon Kerr
Susan Minobe
Pam Levin
Running Crew:
Anastasia Halfon
Brian Greene
Brian Raine
John Wennstrom
Nora Harris
Special Thanks
Michael Heimos, Miriam Billington,
Dean Karasinski, Anne Gesling
Weekend Five: October 22 - October 23
As we celebrate our 75th Anniversary, the Morgan-Wixson Theatre is committed to a meaningful effort to amplify new voices to engage, challenge and connect our audiences to each other and the wider community as we elevate the greater potential of what theatre can offer to our lives.
Your generous donation of any amount will help defray the costs of producing these works. We thank you so much for your support!
beheading columbus
by Diana Burbano
Directed by:
Thanis Samantha Barrios
Producer
Bouket Fingerhut
Light Board Operator:
Anastasia Halfon
Sound Board Operator:
Susan Minobe
Special Thanks:
Diana, you’re brilliant!! This cast who said “yes and” and went all in on this journey. I am grateful for the booth operators who came in and intertwined so quickly into our story. Bill for wearing both hats; actor and TD. Mirai and Jonathon for putting this entire thing together!!!!! The Morgan-Wixson for amplifying voices. Michael Jackson-Heimos for calling (and so much more). Melanie for her research, insight, patience and constant support and positivity. Ariella for being a resource and an ear. Spencer for jumping in and making it seamless. Bouket for keeping me on track and getting everything done and picking up the pieces. Mi mami, tio Raul, tia Mari que nunca me dejaron olvidar, soy una Maracucha, soy Venezolana!! Mi familia en Venezuela por…todo. Mis hermanos por que, I’m a lot, yo se. And Melodie S Rivers without whom I 1000% would not have been able to do anything. You are pure gold. LOVE Y’ALL!!
Cast (in Alphabetical Order by First Name)
LANA: Ariella Salinas Fiore
MARK: Christopher Aruffo
SIBLINGS: Daisha Graf
SUSI: Sherry Esther Mandujano
DR. DOVER: William Wilday
There will be a 15 Minute Intermission

A note from the director
Thanis Samantha Barrios
Who am I? Where do I fit in? What is family? What is enough?
These are the questions I have asked myself time and time again and I’m not alone in that. We are often pulled in so many different directions with society telling us who we are and what we have to do to be a part of it. If we look a certain way, we’re the “nanny”, the “housekeeper”, the “valet”, the “janitor.” If we speak Spanish, somehow, we are uneducated. <insert confused face> If we are the engineer, the teacher, the lawyer, the doctor it is met with such surprise and an attempt to find out how we were able to get where we are. And while we’re at it, so what, I’m the janitor, I’m also freaking brilliant. Why is there so much judgment and ism?
And now we add an additional layer of being both a United Statesian and a Venezuelan (insert any country here). What do we embrace? Can I be both? How? Well, Lana led Latina Pride Parades in the 6th grade. I did reports on Venezuela and bribed my friends with arepas. But now, does that make us “un-American”? …..or MORE American? Wait, was it enough?? Am I Latina enough?? My Spanish is awful, I can’t dance the Joropo…and people do keep asking me “what are you?”
Wait!….now I can get my DNA and know exactly, to the 1%, what I am??!! What does this mean?? Who am I?? What am I?? And does my DNA actually make me what I am??
I’m exhausted.
Diana Burbano opens the can of worms for us and starts a real conversation on what it means to be Latine, bi-racial, and family. She explores the vastly different experiences two sisters from the same household can have simply based on what they look like. She asks about the generational trauma passed down in our genes; the torture, pain, and horror experienced by our ancestors. It swims in our bodies.
And now let’s add the layer about women. The caregiver, the lover, the forgotten, the taken for granted. Diana beautifully captures the reality so many of us live with – We. Do. It. All. And so often we are overlooked, decisions made for us, without us, “for our benefit.” The colonization of our lives without us realizing it.
At this point you might be thinking….racism, misogyny, colonization, identity….this is a lot for one person…..and it is….but it’s also what we travel with every day. Sitting down with this amazing cast, I knew I wasn’t alone. It’s a lot to unpack. But it needs unpacking. We need to have these discussions so we can leave the oversized baggage that doesn’t serve us and bring instead a carry-on of love.
As in life, a lot happens quickly in this play whether we’re ready for it or not. It’s one thing after another and it’s all connected. That is the feeling I want us to have as we journey with these sisters. Even as they have separate experiences, their worlds and lives are interwoven with one moment leading into the next as we watch them come together in and out of the middle to share, fight, cry and love.
I know my family is my family. The ones that share the same blood AND the ones that don’t. The ones I grew up with AND the ones I met later. The ones I was given AND the ones I chose. It’s all love. You know what else…I can make hallacas and apple pie. I can listen to Daddy Yankee and Taylor Swift. I can speak Spanish AND English. I can have my own show, run my own production company, take care of my loved ones and binge-watch Bridgerton. I am all the things, but I don’t have to be anything. I am enough.
Thank you Diana.

The Conversation Continues
A Note from the Dramaturg
Diana Burbano’s layered and nuanced BEHEADING COLUMBUS encapsulates our Festival’s themes, conversations and questions with irony and empathy. The alternately hilarious, charming, and fraught bonds of sisterhood are tested in a play that asks –– What is family? How do we identify ourselves and figure out the ties that bind? How do you move forward carrying the burdens of the past? What is the path to happiness? How do we find our voices and claim our space? As the playwright examines generational impacts and deeper definitions of colonialism, director Samantha Barrios brings to the stage more than her invaluable stagecraft, vivid sense of humor and generous personality. As a Venezuelan immigrant, she has given this work and its creative team an authentic relationship to culture and lived experience.
BEHEADING COLUMBUS may be the inaugural New Works Festival season finale, but our conversations are just beginning! This Festival has demonstrated so clearly that a vibrant and varied community of audiences and artists can grow and gather together in new ways. Whether for first time playwrights and directors or more seasoned artists flexing the muscles of new work, we have created the opportunity to see thoughts and dreams leap from page to stage. The playwrights gave us the gift of their words. Putting the plays on their feet created opportunities for them to see and hear their work. A play is a living thing, constantly evolving in all the artists’ minds. And in the live theater setting, audiences become a valued part of the journey. BEHEADING COLUMBUS is a deeply felt example of this process.
As we began each rehearsal, we acknowledged the past, present and future of this land’s original stewards. Thank you for being part of this season as we gathered on the unceded land of the Tongva, Chumash and Kizh peoples. I look forward to the Morgan-Wixson Theatre continuing to innovate and provide the necessary space for artists and audiences alike to meet the moment. We all have so much to learn from each other. May the conversation continue!
-- Melanie Anthony, Dramaturg
Meet the Cast and Crew

JOSIE LANE
Art Director
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